Tuesday, August 18, 2020

Countdown - Improv with Chord Tones, Scales and Four Note Groupings by Ed Saindon

Originally posted on "All Things Vibraphone" & "All Things Improvisation" on November 2016. This was one of many things by Ed that I've had in the back burner for a long time. There are so many great things about this clip. To me it is just stunning.

On the one hand the improv techniques are just so clearly executed, and with so much ease over this challenging progression. On the other hand, this is particularly a great lesson for vibes players. I remember that during the time Ed made this clip, he was focusing on incorporating all four mallets in linear playing, as well as working on particular nuances of the "Fulcrum Grip"; such as switching between fulcrums and having more control over certain fulcrums. All of that is clearly evident in this clip.

Additionally this is a study in phrasing, time, time fell, touch and dynamics. Yes, the dynamic range and level of nuance within a line is just amazing. That is the reason I find Ed so difficult to transcribe. There are always notes in a line that no matter how hard you try to listen they are almost inaudible, as if they were "implied".

Of course, this clip by no means represents Ed's playing in its entirety. It is a fast tempo, so there is little to no dampening, instead, it is a great chance to focus on his "pedaling".

So I decided to edit Ed's original clip, which he recorded off the cuff with the phone, and zoom into the "hands and feet". I think this is a good way to observe how relaxed his upper body is, and how loose, fluid and both delicate and powerful the grip is, in spite of stemming from such minimal motion. Economy of movement at its best.

The other important aspect to notice is how evenly Ed is standing on both feet; controlling the pedal with just the toes. The pedal is not swiveling from side to side, or "fluttering" (what's that??), or being bashed against the floor, or used for time keeping. It is simply being applied when it is musically needed. In fact, you will notice that it barely moves, and when it does, it is just to target specific notes, or group of notes. 

Here is the Transcription:  

Countdown Transcription


Tuesday, April 7, 2020

Four Note Groupings Concept on "I Love You"

This is an improv concept featured in Volume Two of The Complete Guide To Improvisation. 

This was a short clinic presentation at Berklee College of Music on Friday, July 8th, 2012. The clinic focused on improv concepts and was presented to the faculty of the Summer Performance Program. Topics covered in the clinic: Tension Resolution, Four Note Groupings and Major 7th #5 Superimposition. 

In this clip Ed Saindon is playing a written out solo on "I Love You" using the "Four Note Groupings" concept exclusively.

Click here for:



Tension Resolution Concept on "Stella By Starlight"

This is an improv concept featured in Volume Two of The Complete Guide To Improvisation. 

This was a short clinic presentation at Berklee College of Music on Friday, July 8th, 2012. The clinic focused on improv concepts and was presented to the faculty of the Summer Performance Program. Topics covered in the clinic: Tension Resolution, Four Note Groupings and Major 7th #5 Superimposition. 

In this clip Ed Saindon is playing a written out solo on "Stella By Starlight" using the "Tension Resolution" concept exclusively.

Click here for:


Tension Resolution Concept on "All The Things You Are"

This is an improv concept featured in Volume Two of The Complete Guide To Improvisation. 

This was a short clinic presentation at Berklee College of Music on Friday, July 8th, 2012. The clinic focused on improv concepts and was presented to the faculty of the Summer Performance Program. Topics covered in the clinic: Tension Resolution, Four Note Groupings and Major 7th #5 Superimposition. 

In this clip Ed Saindon is playing a written out solo on "All The Things You Are" using the "Tension Resolution" concept exclusively.

Click here for:





Monday, April 6, 2020

Maj 7 #5 Superimposition on "Stella By Starlight"

This is an improv concept featured in Volume Two of The Complete Guide To Improvisation. 

This was a short clinic presentation at Berklee College of Music on Friday, July 8th, 2012. The clinic focused on improv concepts and was presented to the faculty of the Summer Performance Program. Topics covered in the clinic: Tension Resolution, Four Note Groupings and Major 7th #5 Superimposition. 

In this clip Ed Saindon is playing a written out solo on "Stella By Starlight" using the "Major 7 #5 Superimposition" concept exclusively.

Click here for:




Wednesday, June 28, 2017

Jerry Bergonzi solo on "How High The Moon"

This is an improvised solo by the great saxophonist, Jerry Bergonzi on his composition "Between Worlds", which is based on the chord changes to the standard "How High The Moon". It was captured on one of Bergonzi's weekly sessions at The Lilypad, in Cambridge, MA, on June 27, 2016. Masterful lines, phrasing, rhythm & time feel by JB. Rhythm section is Greg Loughman on bass and Luther Gray on drums. Enjoy. Gustavo

Click on the link below to view/download the PDF of the transcription in both Concert & Bb versions:


Jerry Bergonzi solo on "How High The Moon" - Transcription (Concert & Bb)


Sunday, November 20, 2016

John Coltrane's "Countdown" - Improv with Chord Tones, Scales and Four Note Groupings

I had a little practice time today at Berklee and was working on John Coltrane's classic composition "Countdown". My improv students and I have been working this week on improvising on this song focusing on several techniques including the use of Chord Tones, Scales and Four Note Groupings (1,2,3 and 5 for each chord). This tune is based upon the 16 bar jazz standard "Tune Up" which is basically a series of II-7 V7 I Maj's through various keys down in whole steps. Coltrane applied his 3 Tonic System (3 major keys a major 3rd apart) to each II-7 V7 I Maj. So for D-7/ G7/ C Maj7/ C Maj7/, we now have D-7 Eb7/Ab Maj7 B7/E Maj7 G7/ C Maj7/.